This artistic and participatory project aims to raise public awareness about the pollution of the Cradle Valley’s rivers, placing water at the heart of a collaborative and immersive approach. By closely involving a group of young valley inhabitants, it invites them to listen, connect, and interact with the river flowing through their landscape, co-creating a…
This interactive performance in duo with Stevie Wishart delves into the vibrations and sounds that instruments absorb when left unplayed. Blending notated music, live capture, electronic transformations, and improvisation, it reveals an unseen sonic dimension—where each instrument becomes both witness and echo of an unsuspected acoustic world. [FR] Cette performance interactive en duo avec Stevie…
Hear The Unheard is an interactive performance that explores the sounds and vibrations that musical instruments “hear” when they are not being played. The performance combines written music, elements of real-time sound capture, electronic transformation and musical improvisation. Musical instruments can “hear” or resonate with sounds and vibrations that are not immediately perceptible, revealing a…
This new piece invites Christophe and the audience to interact with the Club Inégales audio archive, which covers 15 years of performances that have also served as the incubator for a whole series of major orchestral projects by the ensemble Notes Inégales. For this creation, Christophe Fellay proposes to interact with the corpus of audio…
INSOLITE #1 initiates a series of interventions in spaces typically closed to the public. The cellar of the former Caves Orsat, evoking a secular cathedral, becomes a resonant body, the subject of a spatial composition where multichannel diffusion and live performance engage in dialogue with the acoustic properties of the site. The challenge: to transform…
Protest Engraving is an artistic performance which fluctuates between the scientific discipline of sound archaeology and fiction. Starting from the idea that sound leaves traces of its interaction with the material, Christophe Fellay proposes to overwrite the sonic memory of the Zeughausareal military past with messages of peace. Using the natural phenomenon of sound erosion, an amplified…
